I
introduced a sculpture by Mitsuaki Tanabe in the May 21 edition of this newspaper
(no. 1152, page 2). It was A seed of wild rice -
MOMI - 2008, a monument installed in the headquarters building of FAO, the
Food and Agriculture Organization of the United Nations. The artist himself attended
the unveiling ceremony. It was held on April 1 last year, soon after the February
26 opening of the Svalbard Global Seed Vault, constructed in permafrost above
the Arctic Circle by the Global Crop Diversity Trust (GCDT), an independent organization
associated with FAO, and the Norwegian government. Tanabe's sculpture, A seed of wild rice - MOMI, is an enlarged, symbolic representation of the basic form of a wild rice seed, the end product of ideas and actions carried out over a period of approximately 20 years. The installation of this sculpture at the headquarters of the United Nations organization in charge of world food problems means that the wild rice seed has been accepted as a universal symbol of food crops grown on the planet Earth. Tanabe had a strong desire to visit the seed vault, which is located on the island of Spitsbergen, one of the Svalbard Islands. The construction costs for the vault were paid by the government of Norway, and it was designed as an ultimate safety measure by GCDT, based on the idea that diversity is a fundamental principle of agriculture in improving food productivity and preparing for a future food crisis. The vault can accommodate more than 3 million kinds of seeds. The sealed boxes inside can only be opened by representatives of the countries that own the seeds. Tanabe made a proposal through the staff of the GCDT headquarters and the Norwegian government organization he had met in Rome. He proposed to make a sculpture on the theme of wild rice seed for the seed vault, expressing another of his themes, in-situ conservation of wild rice. | |
His
proposal was accepted and on February 26 of this year, the anniversary of the
completion of the Global Seed Vault, he had the opportunity of visiting the vault
at the invitation of the Norwegian government. The symbolic sculpture was attached
to the wall of the tunnel in front of the vault in a place called the Svalbard
Tube, at the point where the tunnel moving straight in from the entrance meets
another tunnel crossing it at right angles. The temperature at the site is four
degrees below zero. It is a place that people pass whenever they take seeds in
or out. The sculpture is 120 centimeters long and, like most of Tanabe's other
sculptures, made of stainless steel. The title is The Seed 2009 Momi - In -
Situ Conservation. It advocates the importance of the idea of in-situ conservation,
which represents a very different approach to the preservation of plant species
than the seed vault. Tanabe believes that both approaches are necessary. They
must be used in tandem, like two wheels on the same vehicle, in order to assure
continued food production and crop diversity. | |
@ 1, 11 MAY 2009 The Shin Bijutsu Shinbun @ |
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